The civilian military interface in the united kingdom
James A Ware
The united kingdom has reserve forces who work part time for the military and police and are paid and trained pro rata or up to their own regular job. These regiments are based within regular regiments except for few exceptions.
The cadets forces are based on residency or near locality such as Ruislip, Northolt, Uxbridge. However centres to help the homeless and social work are there for civilians and those ‘retired from cadet forces and not used by their intekl gathering (the borough licencing ctte).
The problem is that in this borough the Score group and Up series of pornographic magazines use under 18 models which creates a group of underqualified or aided individuals unless given a place on the housing register and remiedial adult ed into sustainable employment at the airport. The score group was derived from babyface which was aiding teen mothers but now divides into two forms of titles, the older decades (similar to the 40, 50 up titles of the up series in south Ruislip) and the deflating breast implants problem of score title proper (for those who emigrate but don’t have health care of a sufficient standard).
Other titles and series such as Escort / Razzle are produced in other boroughs using similar methods and structures (the one that Alistair Campbell wrote for).
Yet these titles can if the models aren’t counselled or supported with non medication counselling lead to advertised sex houses in the local papers. These are in turn a break down in local communications and opportunities as teenagers at school or of school age try and make the money for university. This is illegal but regulated by social services or if massage saunas, special treatments by the licencing ctte.
From a male perspective the idea of Page 3 as a gateway drug from early age that this is permissible and women are ‘lacivious and available’ (UK secretary of education) that are false. That said these images are ingrained in the art of western society from the time of Ancient Greece and Rome, even in the Holy Land of places such as Smirna right through to the Renaissance and the art of both the Vatican and sculpture in the South Transept of St Pauls Cathedral. This potential inspiration for the ‘fallen madonna with the big boobies’ of Allo Allo sitcom fame on the BBC shows that those who object are often sidelined because they use the fusion of church and state to produce it as part of bounty payments or ‘resourcefulness exercises’. So the question to pose is can there ever be enough art if its production methods are now illegal, and are these methods set apart at Royal Institutes and Universities with the Royal Charter.
The problem that this poses is could it fuel demand for more holiday snaps of other royals that the Murdoch press did after the marriage of Charles and Diana, or has press regulation now curtailed the Royal Gallery mentaility of the paparazzi.
www.ceop.org
child exploitation and online protection ctte
